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Why Tupac’s influence still shapes music and culture today

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Tupac Shakur is a titan of the rap genre; not only has his presence lingered decades after his death, but his continued influence remains profound, having a lasting impact on rap. There are numerous reasons why his influence remains so pervasive and why millions of his fans continue to share his message, many of whom weren’t even born when he met his fateful end in 1996.

Surfing the wave of the mainstream and critical acclaim

Since the early 1990s, several rap megastars have been able to combine the rare combination of mass appeal and widespread adulation from music critics, who are often the most difficult people to impress.

Now, that’s not to say that their opinion should be taken as gospel (far from it) but in the world of music, experts and their analysis are highly sought after and can be the badge of appeal that grants new rappers the ticket to megastardom.

It’s different in other areas of entertainment, such as casino gaming, where expert reviewers focus less on subjective artistry and more on tangible factors like licensing, user experience, and bonus fairness. In that realm, platforms offering trusted online casino reviews serve as gatekeepers for newcomers looking to engage safely and confidently with online gaming. These reviews help players identify secure sites, avoid scams, and understand the intricacies of games and offers, just as music fans turn to trusted critics to cut through the noise and discover true talent.

While music critiques hinge on personal taste, both industries rely on authoritative voices to guide audiences through saturated markets. Whether you’re browsing for a secure online casino or digging through discographies in search of lyrical greatness, the expert opinion often serves as a vital compass.

Due to the subjectivity of music, critics have a broader definition of artists they deem impactful. Even artists who sell millions of records can be lambasted by critics and ultimately relegated to the status of being overshadowed by the juggernauts of their movement.

Pac’s early albums, such as 2Pacalypse Now, and his later albums, including All Eyez on Me and Me Against the World, were critically acclaimed and achieved multi-platinum sales numbers. It’s rare for a rapper to achieve both, which is a key reason why his influence continues to shape music and culture.

They “Not Like Us”

As we approach the 30th anniversary of Tupac’s death, his influence and impact still reverberate around the industry as though he’s still living and breathing amongst us.

The recent feud between Kendrick Lamar and Drake is perhaps the most obvious example of this, as despite Drake’s record sales and presence, his music has been criticized. He’s often accused of being unoriginal, and his beef with Kendrick (if it even qualifies as that) was arguably the most one-sided in the history of rap. Many people saw it as a traditional rapper in the ilk of Shakur taking on a pop star masquerading as a rapper.

Kendrick’s Not Like Us won five Grammy awards, took the roof off the Super Bowl, and became one of the biggest rap songs of the 21st century. This beef lifted the lid on pop star versus rap icon, with Kendrick mentioning Tupac twice in the track – “It’s all eyes on me and I’m a send it up to Pac,”- which is just one of many examples of how influential Tupac remains in rap music and broader culture.

An original icon of rap music

While it is fair to say that some elements of Tupac’s music and style played into the ongoing beef that had erupted between the East Coast and the West Coast by the mid-1990s, as a personality, he stood out as a clear, outspoken individual, even when challenged by the authorities that sought to silence him.

On several fronts, he spoke out against political injustices, using his platform to shed light on some of the more troubling elements that plagued America in the 1990s. He employed profound conscious hip-hop and lyrics, choosing to highlight the aspects of humanity that unite us rather than divide us.

Tupac operated at a time when rap was still finding its feet, it wasn’t considered the globally successful finished product it is today. But without original voices and titans of the genre like Tupac helping to lay the early foundations, there wouldn’t have been a market for all those rappers who came after him and cited him as a key influence.

Songs just as relevant today as in the 90s

Given the way his life ended, it is a bitter twist of irony that the messages of his more introspective music were not taken on board. While he did contribute to the negative lifestyle and imagery that rap music suffered from in the 1990s, songs like Changes have been able to transcend the rap genre and the confines of time. Many of his peers from around the same time who catered to their market created forgettable songs with no real message.

However, by pouring his heart and soul into his lyrics, particularly toward the end of his discography, many of Tupac’s lyrics remain as relevant now as they were 30 years ago. It’s this authenticity that has helped his presence remain constant in modern culture and music and continues to influence the rap movement as we see it today.

His Greatest Hits album, released two years after his death, is one of the longest charting albums in US history, so it’s a legacy that will continue for decades to come. The sheer size of the market that still exists for Tupac almost guarantees a fresh wave of rappers over the next couple of decades, whose discography will be inspired by his.

An artist who became bigger than rap

Artists like Eminem, Kendrick Lamar, and Jay-Z are considered pioneers who have transcended the realm of rap and become commodities in their own right. But what’s the one thing they all have in common? They cite Tupac as a profound influence. In Eminem’s case, Tupac was one of his biggest influences.

Having been named one of the greatest artists of all time by Rolling Stone, Tupac used his image as a springboard to explore acting, poetry, and other artistic fields, thereby expanding his artistic horizons beyond rap music.

It would’ve been incredible to see what he would’ve gone on to achieve if he hadn’t met his untimely end at the age of 25—many critics and observers believe that his best days were yet to come.

However, whether that is true or not, there’s still a massive demand for his music, fashion items that adorn his name, and several posthumous collaborations with some of the world’s most recognizable artists. All of this ensures that his legacy not only remains intact but also reshapes music and rap culture as we see it today.

From the ghetto to the hall of fame: The legacy of Tupac

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Introduction: A life that changed music and culture

Tupac Amaru Shakur, known worldwide under the pseudonym 2Pac, became a symbol of the hip-hop era, and his work and message left a mark far beyond the music industry.

Born into difficult circumstances, he not only conquered the heights of music but also became a voice for the oppressed. His journey is a story of struggle, inspiration and tragedy that changed the cultural landscape of the late 20th century.

Given the scale of his influence, it is important to consider not only the biographical facts but also the social context that shaped his personality. In this article, we will take a detailed look at the main stages of Tupac’s life, work and legacy, which make him unforgettable to millions of fans around the world, particularly in the United Kingdom, where hip-hop culture has a powerful influence.As in many areas of modern life, where a variety of offers are popular, such as Mostbet kod promocyjny na darmowe spiny attracting players with its bonuses, Tupac’s work also attracted public attention due to its authenticity and depth. In both cases, these are stories about the search for uniqueness and opportunities in an ever-changing world.

Early life and social context

Tupac was born in 1971 in New York City, where he grew up in a family that constantly faced social difficulties. His mother, an African American and human rights activist, played a key role in shaping her son’s worldview. From childhood, he witnessed the injustice, discrimination and violence that surrounded him, and this shaped his future path. The neighbourhood where the future rapper lived was characterised by high crime rates and economic instability.

Living in such conditions instilled in him a strong desire to change the world, as well as the skills to fight for survival. This unique combination of experience and talent allowed Tupac to become a true voice of the ghetto, skilfully conveying the pain and hopes of his community through music.

The influence of his environment on his personality

His teenage years were a time of intense personal development. Tupac attended an arts school, where his creative potential blossomed. His interest in poetry, drama and music combined with the realities of life to create a unique style that captivated audiences. The influence of the environment in which he grew up determined the themes that would later occupy a central place in his songs — social inequality, political corruption, racism and the struggle for human rights.

Career explosion: From underground rap to world fame

Tupac took his first steps in the music world in the late 1980s. His genuine emotion and sincerity quickly attracted attention. Success came after the release of his debut album, which received positive reviews from critics and listeners alike. His lyrics were sharp and socially critical, which was rare in the music of that time.

With each new release, the artist’s popularity grew rapidly. He not only created hits, but also influenced the development of the genre as a whole. His albums were notable for their multifaceted themes, alternating between sharp political messages, personal experiences and reflections on the meaning of life. This depth and sincerity attracted listeners of all ages and nationalities.

The main albums that changed the game

  • 2Pacalypse Now (1991) — the first album to raise the issue of social injustice.
  • Strictly 4 My N.I.G.G.A.Z… (1993) — continued the political message with a more aggressive sound.
  • Me Against the World (1995) — an album that cemented his star status and stood out for its personal lyrics.
  • All Eyez on Me (1996) — a double album that became a hip-hop classic.

Tupac’s philosophy and political stance

The rapper was not just a musician — he became an active voice in society, criticising the system. His views were shaped by the African-American civil rights movement and black nationalism. Tupac advocated for equality, justice and an end to violence in society.

In his songs and interviews, he repeatedly raised issues of racism, poverty and corruption that were holding back communities across America. His stance was often provocative, sparking controversy but also inspiring many to fight for their rights. He paid particular attention to the themes of youth responsibility and self-improvement.

The role of activism in Tupac’s life

His active civic stance was evident not only in his work but also in his personal life. He participated in charitable projects, supported youth initiatives and openly criticised political leaders. As a result, his image transcended the world of music and became a symbol of change.

Conflicts and tragedies: the dark side of fame

Despite his success, Tupac’s life was full of dramatic events and conflicts that ultimately led to his tragic death. Disputes with other artists, problems with the law, and the constant threat of violence accompanied him until his last days.

The criminal wars that raged between different areas of Los Angeles often formed the backdrop to his life and work. He himself repeatedly found himself in dangerous situations, fighting off enemies and defending his honour. These circumstances have gone down in history as one of the darkest chapters in hip-hop culture.

The memory of these events reminds us of how difficult and risky the road to fame was for many artists from the ghetto. At the same time, Tupac’s tragedy became an opportunity to rethink problems in society and a call for peace and understanding.

Tragedy and death: A living memory

Tupac Shakur died in 1996 at the age of 25, in one of the most shocking events in the world of music. The circumstances of his death remain the subject of numerous speculations and conspiracy theories. Despite this, his work and message live on, influencing new generations.

His death became a symbol of an unfinished struggle, and his ideas a source of inspiration for thousands of young artists and activists. The memory of the artist lives on in numerous memorials, music festivals and even films about his life.

Why Tupac’s legacy is important today

  • Reflection of social issues that are still relevant today.
  • An example of the fight against systemic injustice.
  • Inspiration for creativity and self-expression.
  • Influence on hip-hop culture in the United Kingdom and around the world.

Influence on British culture and contemporary hip-hop

Tupac became a cultural phenomenon not only in the United States but also overseas. In the UK, his legacy has taken on special significance among young people seeking their own voice in society. The hip-hop culture that has permeated the urban areas of London, Manchester and other cities draws inspiration from Tupac’s themes and style.

His ideas about identity struggles, social injustice and self-expression resonate with the British experience. Rappers and artists create tracks that reflect similar issues, drawing inspiration from the legend’s legacy. Thanks to this, the culture remains alive and its message continues to resonate with society.

Key aspects of his influence in the UK

  • Raising social awareness through music.
  • The emergence of minority rights movements.
  • The integration of African-American culture into the British context.
  • The development of local hip-hop communities.

A legacy that lives on in music and beyond

Tupac left behind not just a discography, but a cultural code that is constantly transforming and inspiring. His ideas about freedom, equality and the power of words resonate in the work of new artists. Even decades after his death, his work remains relevant and resonant.

Music archives, documentaries, books and exhibitions ensure that this talented artist will not be forgotten. His name is often cited as an example of unwavering struggle against the system, making Tupac’s legacy an important part of contemporary cultural heritage.

Conclusion: The eternal voice of generations

Tupac Shakur is a unique figure in the world of music and culture, whose influence extends far beyond the hip-hop genre. His life was full of struggles and challenges, but that is what made his voice so powerful and influential.

From a difficult childhood in the ghetto to global recognition, Tupac left behind a legacy that inspires generations around the world, including young people in the United Kingdom. His work remains relevant today, as the issues he sang about are still as pressing as ever.

Tupac has become a symbol of resilience, strength of spirit and the pursuit of justice, and his ideas continue to inspire activists and artists fighting for equality and freedom. The rapper’s legacy is not just his music, but also a powerful message that lives on in people’s hearts and continues to change the world for the better.

Proven Strategies for Promoting Playlists for Independent Musicians

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In the current music landscape, promoting playlists has emerged as a crucial strategy for artists aiming to enhance their visibility and increase streaming numbers. For independent musicians, securing a spot on popular playlists can significantly elevate their profile and help them connect with new listeners. This article outlines effective strategies that independent artists can implement to promote their music through playlists, ultimately advancing their careers in a competitive environment.

Understanding Playlist Promotion

What is playlist promotion?

Playlist promotion involves the process of getting a song featured in curated playlists on various streaming platforms, such as Spotify and Apple Music. These playlists can be categorised as editorial (created by the platform), user-generated (compiled by listeners), or algorithmic (generated based on user behaviour). Each type plays a vital role in music discovery and can greatly influence an artist’s reach.

The Importance of Playlists in Music Discovery

Playlists have become one of the primary methods through which audiences discover new music. Recent studies indicate that a large portion of streaming activity is driven by playlists, making them essential for artists looking to expand their fan base. For independent musicians, being included in well-known playlists can lead to increased streams, followers, and overall engagement with their work.

Effective Strategies for Playlist Promotion

Identify Your Target Playlists

The initial step in successful playlist promotion is identifying playlists that align with your musical style and genre. Conduct research to find playlists that feature similar artists or songs that resonate with your sound. Utilize tools like Spotify’s “Related Artists” feature or platforms such as Chartmetric to discover relevant playlists. Additionally, consider niche playlists that cater to specific subgenres or themes, as these can provide more targeted exposure.

Create an Engaging Submission

When submitting your music for playlist consideration, it’s crucial to craft a compelling pitch. Write a concise and engaging submission message that highlights what sets your song apart. Include details about your background, the inspiration behind the track, and any notable achievements. Personalizing your submission can significantly enhance your chances of capturing a curator’s interest. Don’t forget to include links to your social media profiles or previous work, as this adds credibility and context.

Use Submission Platforms

Several online platforms facilitate connections between artists and playlist curators. Websites like SubmitHub, Groover, and Soundplate allow you to submit your tracks directly to curators actively seeking new music. These platforms often provide feedback on submissions and can improve your chances of being featured. Additionally, consider reaching out directly to smaller curators via email or social media, as they may be more receptive to independent artists.

Foster Relationships with Curators

Building relationships with playlist curators is essential for long-term success in playlist promotion. Follow curators on social media platforms like Instagram and Twitter, interact with their content, and show genuine interest in their playlists. Establishing these connections can lead to future collaboration opportunities and increase the likelihood of your music being featured. Attend industry events or virtual meetups where curators might be present; networking in person can leave a lasting impression.

Leverage Social Media for Promotion

Social media serves as a powerful tool for promoting your playlist placements. Share your tracks on platforms like Instagram, Facebook, and TikTok, encouraging fans to listen and add your songs to their own playlists. Engaging with fans through live sessions or Q&A about your music can also help create a community around your artistry. Use eye-catching visuals or behind-the-scenes content to promote your music effectively; storytelling through social media can captivate potential listeners.

Curate Your Own Playlists

As an independent artist, consider creating your own playlists that include not only your music but also tracks from other artists you admire. This approach not only showcases your work but also encourages cross-promotion with fellow musicians. Sharing these curated playlists on social media can attract new listeners interested in discovering fresh sounds. You could even collaborate with other artists on joint playlists, further expanding your reach within their fan bases.

Measuring Your Success

Monitor Playlist Performance

Once you’ve secured placements on playlists, it’s important to track their performance. Use analytics tools provided by streaming platforms to monitor how many streams you receive from each playlist. Understanding listener demographics and engagement metrics will help you refine your promotional strategies moving forward. Pay attention not just to the number of streams but also how long listeners are engaging with your tracks—this insight can inform future releases.

Adapt Strategies Based on Feedback

Be open to adjusting your approach based on what works best for you. Gather feedback from listeners and curators about how they discovered your music and what they enjoyed about it. This information can guide you in making informed decisions regarding future submissions and promotional efforts. Consider conducting surveys among your audience or engaging them in discussions about what they seek in new music; this interaction fosters loyalty while providing valuable insights.

Conclusion

Promoting playlists is a critical strategy for independent musicians looking to enhance their presence in the competitive music industry. By implementing these proven strategies—identifying target playlists, creating engaging submissions, utilizing submission platforms, building relationships with curators, leveraging social media, curating personal playlists, monitoring performance metrics, and adapting strategies based on feedback—artists can significantly improve their chances of success. As the landscape of music promotion continues to evolve, adopting these tactics will empower independent musicians to connect with audiences and thrive in their careers. 

2Pac and the Wild Horse Spirit: How Shakur’s Lyrics Symbolize Strength and Freedom

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When you think of Tupac Shakur, what’s the first thing that comes to mind? That probably he is alive? Well, not in terms of conspiracy theories.

What is Tupac Shakur mostly known for? Well, he is known for his freedom, resilience, and that signature fiery spirit that nobody can tame. Kind of like a wild horse, right?

We can also hear his passion for freedom and the struggles of life in his lyrics, which make an even deeper connection with that wild horse spirit.

He was a man who fought to be free, to have rights, and to change the way we see the world.

Inspired by his work, let’s break down the lyrics of some of his most popular songs, and find out why he was always singing about freedom and strength.

1. Tupac’s Lyrics as the Voice of Strength

No matter if you like hip hop or rap, the moment you hear a song from Tupac, you immediately feel the powerful message that this incredible artist has to tell us. Tupac wasn’t just ripping, he was the definition of raw emotion, a truth that might hurt some people, but it felt tangible and relatable.

In other words, his music was REAL.

His famous line, I’d rather die like a man, than live like a coward,  perfectly describes his unapologetic approach to life, his strength, and courage.

The more we decipher his lyrics, the deeper the connection with that wild horse spirit. He stated that he won’t back down, even when the odds are against him.

His hit songs, from “Changes” to “Keep Ya Head Up,” echo messages that encourage people to stand strong and fight against injustice.

He advocated resilience, urging listeners to “keep your head up” even when life is tough, a message that has become one of his most quoted lyrics.

Statistics show that his album sales have gone over 75 million records globally, which proves how impactful his lyrics are across generations. He fought for good things like freedom of choice, injustice of the system, having a fighting spirit, and being true to yourself.

So, are you looking at today’s best horse bets? Try to find a horse that has a similar fighting spirit as Tupac here.

2. Freedom as a Central Theme in Tupac’s Work

A wild horse is often seen as a symbol of freedom, a creature that refuses to be confined. Tupac’s life, music, and even his rebellious image embody this spirit of unchained independence. His lyric, “I’m not saying I’m gonna change the world, but I guarantee that I will spark the brain that will change the world,” speaks to his belief in self-expression and individual impact.

For Tupac, freedom wasn’t just a concept but a daily battle. His song “Hail Mary” captures his struggle for liberation, from societal constraints and from the stereotypes that sought to box him in.

This theme of freedom speaks deeply to his fans, as evidenced by the lasting popularity of his music among younger generations exploring social identity and resistance. Today, he remains one of the most-streamed hip-hop artists globally, with over 10 billion streams on platforms like Spotify.

3. The Path That Makes One Great

One of Tupac’s most iconic metaphors is the “rose that grew from concrete.” This image isn’t just poetic; it’s a powerful symbol of resilience.

Born into hardship, Tupac fought against the odds his entire life, and his work reflects that struggle to rise above difficult circumstances.

He said, “We wouldn’t ask why a rose that grew from the concrete for having damaged petals…” implying that we should honor resilience without questioning the scars it leaves.

According to data, 2Pac’s messages of resilience continue to inspire countless listeners globally, especially in communities where socioeconomic challenges mirror those Tupac experienced.

His music resonates with individuals facing struggles, reinforcing the idea that “damaged petals” only add to one’s beauty and strength.

4. Social Commentary and the Role of a “Wild Horse”

Why did Tupac take on social issues so boldly? Because, like a wild horse, he didn’t fear speaking up. Tupac wasn’t afraid to question society. One of his most scathing lyrics, “They got money for wars, but can’t feed the poor,” is a prime example of his criticism of systemic injustice.

He held up a mirror to society’s flaws, becoming a voice for the voiceless. This outspokenness has cemented his legacy as not only a musical icon but also a social activist.

In a survey, 2Pac ranked among the top five most influential artists in social justice, showing how his voice transcends music. His refusal to be “broken in” or silenced solidifies his wild spirit—a spirit that refuses to conform to expectations.

5. Spirituality in Tupac’s Lyrics

For Tupac, life wasn’t just about material success or fame; it was a deeper journey filled with existential questions and spiritual reflections. His lyrics in “Only God Can Judge Me” are a testament to his spiritual beliefs and the inner strength he derived from them. This untamed spirit—seeking truth and meaning in a chaotic world—makes his work timeless.

Today, Tupac’s lyrics about spirituality resonate across cultural lines, appealing to those who find solace in his words. With over 6 million followers on his posthumous social media accounts, it’s clear that his spiritual and existential reflections still speak powerfully to fans.

Tupac’s Shooter from ’94, Walter ”King Tut” Johnson Was Released From a Prison

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U.S. District Judge Frederic Block reduced Walter ”King Tut” Johnson‘s sentence to time served plus three years of supervised release. Johnson was released on Thursday from a federal prison in Otisville, nearly a two-hour drive northwest of Brooklyn, where Johnson is from.

King Tut spent 27 years behind bars after he initially sentenced the convicted robber to five life terms.

On August 15, 1995, Tupac wrote this letter from the prison, ends the letter, “Be / Careful!!! / The Walking Dead / Jack Agnant R.I.P. / Tut R.I.P. / Jimmy Ace R.I.P.” In this list, Tupac names the people he felt were behind the shooting at Quad Studios, “Haitian Jack” Agnant, Walter “King Tut” Johnson, and James “Jimmy Ace” Rosemond. Tupac later publicized these beliefs in his song “Against All Odds” on his posthumous album The Don Killuminati: The 7 Day Theory.
8 x 10 1/2 in.

On June 15, 2011, an inmate at Brooklyn’s Metropolitan Detention Center serving a life sentence, Dexter Isaac, confessed to being an active participant in Shakur’s 1994 robbery and shooting. Isaac’s written confession to website allhiphop.com read, in part, “In 1994, James Rosemond hired me to rob 2Pac Shakur at the Quad Studio…He gave me $2,500, plus all the jewelry I took, except for one ring, which he took for himself.

Tupac pointed to Walter Johnson aka King Tut as one of the two shooters who robbed him in Quad Recording Studios, New York. The other shooter is Dexter Isaac

Johnson, who once had the street name “King Tut,” served nearly three decades in prison on robbery and drug charges. He was the only person ever sentenced to mandatory life in prison out of the Eastern District of New York, which covers Brooklyn, Queens and Long Island, under a federal statute known as the Three Strikes law, which targets repeat offenders, according to Mia Eisner-Grynberg, deputy attorney-in-charge of Federal Defenders of New York, which represented Johnson.

During his time in prison, Johnson had no disciplinary infractions, helped create programs for prisoners and received praise from prison officials for his positive leadership, according to court documents filed by Eisner-Grynberg.

“I now believe that my sentences, though lawfully rendered, were excessively harsh,” Block wrote in his ruling. “Just like prisoners who have evolved into better human beings during their lengthy periods of incarceration, judges also evolve with the passage of years on the bench.”

Block said the 2018 First Step Act allowed judges to reconsider prior sentences and prisoners to seek early release.

Eisner-Grynberg argued in court documents that Johnson would’ve never gotten five life terms under current judicial standards.

Johnson, now 61, said he intends to live with his family in Brooklyn and give back to his community by “mentoring young men to steer clear” of the choices he made, according to Mia Eisner-Grynberg, deputy attorney-in-charge of Federal Defenders of New York, which represented him.

2Pac Pre Death Row Approximate Recording Dates + Complete Producer Credits

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2Pac Pre Death Row Approximate Recording Dates + Complete Producer Credits
2Pac Pre Death Row Approximate Recording Dates + Complete Producer Credits

I. EARLY YEARS

1986 – 1990: early stuff with Born Busy, TC, One Nation Emcees, Strictly Dope

II. 2PACALYPSE NOW (SEPTEMBER 1990 – OCTOBER 1991)

Late 1990 (September-December):

Trapped [Pee Wee]
Violent [DJ Fuze]
I Thought U Knew [DJ Fuze]
All in the Daze of a Criminal [DJ Klark Gable]
Do 4 Love/Live in the Lobby [Shock G]
Resist the Temptation [Big D]
Dopefiend’s Diner [Big D] [Pee Wee plays piano]
Tears of a Clown [Big D]
Words of Wisdom [Shock G]
Rebel of the Underground [Big D]
Revenge of tha Lunatic [Big D]
Tha’ Lunatic [Shock G]
Scared Straight [DJ Fuze]

Early 1991:

Brenda’s Got a Baby [Big D]
Don’t You Trust Me [Big D]
Crooked Ass Nigga [Stretch]
Fade Away [Big D]
Young Black Male [Big D] – could’ve been earlier, Pac said it was one of the first songs he recorded

Mid-1991:

I Don’t Give a Fuck [Pee Wee]
Something Wicked [Jayzee]
If My Homie Calls [Big D]
Soulja’s Story [Big D]
Part Time Mutha [Big D] – last song done for 2Pacalypse Now

III. 2PACALYPSE NOW II/TROUBLESOME (OCTOBER 1991 – SEPTEMBER 1992)

Late 1991 – Early 1992:

N.I.G.G.A [Big D]
Ghetto Gospel [Big D] – one of the versions recorded August 14, 1992
Papa’z Song [Big D] – various versions recorded between late 1991 and late 1993
Revenge of tha Soulja aka Soldier Like Me [Big D & Stretch]
Crooked Nigga Too [Big D and perhaps Stretch?]
No Parts of Dis [Digital D]
Changes/That’s Just the Way It Is/Gotta Make a Change [Big D] (December 25, 1991, according to Deon)
Troublesome [Jayzee]

Early 1992 (pre-LA riots):

Nothing But Love [DJ Daryl]
16 on Death Row [DJ Daryl]
Black Starry Night [DJ Daryl]
Still Don’t Give a Fuck [DJ Daryl]
When I Get Free (Souljah II) [Laylaw]
Keep Ya Head Up [DJ Daryl]
Let Them Thangs Go [DJ Daryl]
Po’ Nigga Blues [DJ Daryl] (Gov recorded his in 95)
Trapped ’92 Remix [???]
Strictly 4 My N.I.G.G.A.Z… [Laylaw] (April 29, 1992 – the day the riot began, according to Laylaw)

May – June 10 1992:

Don’t Call Me Bitch [Laylaw] (both takes i suppose)
I Wonda If Heaven’s Got a Ghetto [Laylaw]
I Get Around [Shock G] (both i suppose)
What Goes On [Big D]

Summer 1992:

Holler If Ya Hear Me (Original) [Stretch]
The Streetz R Deathrow [Stretch]
Love Ya Future [Shock G]
Representin’ [Big Tru] (August-September 1992, third verse Fall 1992)
Black Cotton [Big D] (August 23, 1992, according to Mouse Man)
Troublesome Intro [Big D?]

September 26-27, 1992:

Broken Branches [Laylaw] (could’ve been May 1992 and just being replayed in that Truman video)
Wycked and the Mouse Man [Big D] (could’ve been recorded earlier too)
Brothers in the Pen [Big Tru] (September 27, 1992)

IV. STRICTLY 4 MY NIGGAZ (OCTOBER – MID-DECEMBER 1992)

October 1992:

Point the Finga [Big D]
Pac’s Theme (Skit) [Big D]
Strugglin’ [Stretch]
Something 2 Die 4 (Interlude) [Big D]
Flex [Big D & Stretch] (Thoroheads recorded their verses later)
The Hell Raiser [Stretch]

November – Mid-December 1992:

5 Deadly Venomz [Stretch] (possibly an early demo recorded around 2PN era)
Holler If Ya Hear Me (Retail) [Stretch]
Guess Who’s Back [Akshun]
Souljah’s Revenge [Bobcat]
Peep Game [Bobcat]
Last Wordz [Bobcat]

V. THUG LIFE/MR. MIDDLE FINGER/VOLUME I (MID-DECEMBER 1992 – MAY 1994)

Mid-December 1992 – January 1993:

Niggas in the Pen [Big Tru]
Fake Ass Bitches [Johnny J] (outro and YNV female recorded late 93-early 94)
Thug Life [Johnny J]
Pour Out a Little Liquor [Johnny J] (radio recorded in ’94)
High ‘Til I Die (Thug Life) [Johnny J]
Time 2 Get My Drank On [Johnny J?] (perhaps a different version and perhaps with verses and perhaps the interlude done later)
ERASED UNHEARD WITH COOLIO [DJ Wino]

February – April 5, 1993:

Definition of a Thug Nigga [Warren G]
I’m Gettin’ Money [Johnny J?]
Is It Cool to Fuck [Johnny J? and Stretch?]
Faded Shootouts (Interlude) [Stretch]
Death Around EACH Corner (Original) [Johnny J]
Losin’ It [Johnny J]
Ready 4 Whatever [Johnny J]

April 16 – May 1993:

How Long Will They Mourn Me (radio recorded in ’94) [Warren G]
Animosity (May 1, 1993) [Warren G]
Lie to Kick It [Warren G]

June – September 1993:

St. Ides Commercial #1 [DJ Pooh]
Ghost [DJ Pooh]
Thug 4 Life [Stretch? or Johnny J?]
Bury Me a G [Stretch] (both Solo and Thug Life around the same time July-Sept ’93)
Nothing to Lose [Stretch] (Mr. Middlefinger & Clean, retail recorded a month or two later)
Thugs Get Lonely Too [Stretch] (both takes i suppose)
Lord Knows [Brian G, Revisited by Tony Pizarro, Remixed by Moe-Z] (BGs revisited July 31, 1994 and again BGs and beat revisited August ’94)
It Ain’t Easy (Unheard) [Stretch? Brian G?]
Here We Go [Stretch]
Hopeless (Interlude) [Stretch]
Mr. Middle Finger [Stretch]
The Uppercut [Stretch]
Open Fire [Akshun]
Death Around the Corner (Retail) [Johnny J]
Wonda Why They Call U Bytch [Stretch]
Who Do You Love [Stretch] (both takes i suppose)
Only Fear of Death [Stretch, possibly with Duane Nettlesbey]

various skits

October – November 1993:

Temptations [Easy Mo Bee] (October 26, 1993, beat revisited June 30, 1994)
Dear Mama [Master Tee, Remixed by Tony Pizarro] (October 26, 1993, beat revisited in ’94, not sure about the vocals)
Str8 Ballin’ [Easy Mo Bee] (take 2 – early 94, take 3 – august 94)
Runnin’ from the Police [Easy Mo Bee] (different verse – august 94)
Introduced to the Game [Easy Mo Bee?]
Pain [Stretch] (early November, radio later)
Out on Bail [LG] (November 18-20)

December 1993 – February 1994

Judgement Day [Stretch]
Cradle to the Grave [Professor Jay and Big Syke, Remixed by Moe-Z] (radio recorded in August ’94)
Shit Don’t Stop [Stretch]
Another Jack [Professor Jay? and Mopreme?]
Out the Gutta [Professor Jay? and Mopreme?]
Thug Bitch [Professor Jay?]
Don’t Get It Twisted [Professor Jay and Mopreme]
Hellrazor [Stretch, possibly with Duane Nettlesbey] (female added August ’94)
Can’t Turn Back [Black Jack]
R U Still Down [Shock G]
Fuck the World [Shock G]
Peep Game 2 [Stretch]
Thugs Theme [Stretch]
Where Do We Go From Here [Stretch, possibly with Duane Nettlesbey]
Hard on a Nigga LZ [Stretch, possibly with Duane Nettlesbey]
Wonda Why They Call U Bytch LZ [Stretch, possibly with Duane Nettlesbey]
Freestyle LZ [Stretch, possibly with Duane Nettlesbey]
Hennessey [Stretch, possibly with Duane Nettlesbey]
Street Fame [Stretch, possibly with Duane Nettlesbey]
Loyal to the Game [Reginald Heard] (February 4, 1994, radio later)

February – April 1994:

Hold On Be Strong [Stretch? Choo? Duane Nettlesbey?]
High ‘Til i Die (Solo) [Tony Pizarro]
R U Still Down (Raise ’em Up) [Tony Pizarro]
God Bless the Dead [Stretch, possibly with Duane Nettlesbey]
Under Pressure [Stretch, possibly with Duane Nettlesbey]
Stay True [Stretch]

VI. STAY TRUE (MAY – AUGUST 1994)

May 1994:

Fuck All Y’all [Duane Nettlesbey?] (beat revisited June 30, 1994)
AmeriKKKa Eats Its Young [Khayree]

Summer 1994:

When I Get Free [Bread & Water] (June 16, 1994, vocals revised August 18, 1994)
Thug Style [Bread & Water] (June 16, 1994)
It Ain’t Easy [Tony Pizarro] (July 1994)
Hard on a Nigga [Dat Nigga Daz] (August 8, 1994)

various Pizarro skits for Stay True

Killing Fields [Bread & Water] (August 18, 1994)
Where Will I Be [Bread & Water] (August 18, 1994, remix recorded later)
If I Die 2Nite [Easy Mo Bee] (August 30, 1994)
My Block [Easy Mo Bee] (August 30, 1994)
Outlaw [Moe-Z] (August 31, 1994)

VII. FUCK THE WORLD/ME AGAINST THE WORLD

September 1994:

Old School [Soulshock & Karlin]
Throw Your Hands Up [Moe-Z]
Heavy in the Game [Mike Mosley]
Can U Get Away [Mike Mosley]
So Many Tears [Shock G]
Me Against the World [Soulshock & Karlin]
Young Niggaz [Moe-Z] (possibly a clean version recorded a bit later, unheard)
Suka 4 Love [Moe-Z]

VIII. YOUNG THUGS/DRAMACYDAL LP

September – November 1994:

Thug Life (Young Thugs) [Moe-Z]
Bury Me a G (Young Thugs) [Stretch, Paul Arnold]

Late November 1994:

Addicted to the Streets [Stretch]
Enemies with Me [Stretch]
Late Night [Stretch]

December 1994 – February 1995:

Thug Mansion [Soulshock & Karlin]
The Other Side [Soulshock & Karln]
Blinded [Funky Drummer]
Interview with a Problem Child [Moe-Z]
Late Night (Remix) [Moe-Z]
MATW Intro [Tony Pizarro] (January 15, 1995)

February – October 12, 1995

Dramacyde [Mike Mosley]
Make No Mistakes [Moe-Z]
No Further [Mike Mosley]
Hard to Imagine [Soulshock & Karlin]
Just Like Daddy [Mike Mosley]
Sittin’ on Top of the World [Mopreme]
It Don’t Stop (Radio) [Mike Mosley]

Undated:

Do 4 Love (Unheard) [Shock G] (1990-1992)

The Outlawz – Penitentiary Bound – Napoleon, Kastro, E.D.I. Mean, Komani & Prince Ital Joe

“Penitentiary Bound” is an Outlawz song recorded on November 14 and 16, 1995 and produced by Johnny “J” with verses by Napoleon, Kastro, E.D.I. Mean and Komani and a hook by Prince Ital Joe.

We have only yet heard the contents of the A-reel (11/14/95), mixed onto Catalog DAT’s in May 97, paired with “Letter 2 My Unborn”. The reference mix from the catalog dat’s is the only mix we have of this song.

The beat was created with an SP1200. Ricky Rouse plays guitar on the song. 

The lyrics deal with living a criminal lifestyle and the possibility of facing doing jail time.

“Smiling Faces” is an unofficial bootleg title that has shown up on Unheard/Unreleased lists over the years along with the actual title in those lists.

2Pac – Outlaw Immortalz feat. Hussein Fatal, Yaki Kadafi, E.D.I. Mean & Big Syke (Oct. 1996)

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“Outlaw Immortalz” is a song by 2Pac featuring Hussein Fatal, Yaki Kadafi, E.D.I. Mean and Big Syke, produced by Sam Sneed and recorded between October 19-23, 1995. It was the first 2Pac song on Death Row to feature E.D.I. Mean and the first song with Big Syke being a part of the Outlaw Immortalz group. The song title was first penned on a tracklist 2Pac wrote in October 1995 just days before getting out. On the next tracklist he wrote “Outlaw Immortalz” was replaced with “When We Ride”. It’s an interesting fact, because the song titles were hypothetical at the time, and it looks like during the All Eyez on Me sessions “When We Ride” was the song that replaced “Outlaw Immortalz”, having been recorded a few days later in a course of a a few (2-3) sessions between October 27-30, 1995. The song later appeared on a mid-December (December 11 most likely) Outlaw Immortalz tracklist for an album that never materialised.

2Pac reused his 4 opening bars on “Can’t C Me”, that was recorded not long after that (November 1-2, 1995).

The song appears on 2 handwritten tracklists circa October 23, 1995.

It is fair to assume that E.D.I. Mean recorded his verse a few days later, since Syke, Fatal and Kadafi were the ones who were recording with Pac on Death Row almost since day 1 and the other guys joined later towards the end of October 1995 (“When We Ride” was the first song for most of them). E.D.I. Mean is the only rapper who Pac didn’t mention in the intro either.

Another indicator of the song having been recorded a few days before “When We Ride” and before the Outlaw Immortalz formed as a group is the fact that 2Pac calls Hussein “Fatal Komani” – he would become Hussein Fatal just days after that and Mopreme would receive the alias Komani.

The song first surfaced because a certain member of THC contacted Sam Sneed and acquired a Pro Tools session CD which contained the layers from the 2″ Master reel (and was referred to simply as “Immortal”). Later an original 1995 mix leaked from a DAT via the Wideawake server leak.

The song samples Outkast’s “Funky Ride” or maybe both songs used the same sample from some kind of library record or whatever.

Lyrically, the song was an introduction to the Outlaw Immortalz group (obviously until “When We Ride”, the superior track and a more inclusive one, replaced it).

E-40 – Million Dollar Spot feat. 2Pac & B-Legit (1996)

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“Million Dollar Spot” is a song by E-40 featuring verses by 2Pac and B-Legit and a hook by Marcus “Emgee” Gore, produced by Mike Mosley and Femi Ojetunde, who also plays instruments on it. It was released on E-40 1996 album “The Hall of Game”. The song was most likely recorded around 1996 (it might’ve been even July 1996)

Opposed to “Niggaz Done Changed”, where Pac just sent Richie Rich a verse he laid at Can-Am, he recorded this song together with E-40 and B-Legit.

Written by E. Stevens, B. Jones, M. Mosley, T. Shakur
Engineered by Tony Mills, Mike Mosley and Carlos Warlick @ Cosmic Slop Shop and Spark Studio
Mixed by Mike Mosley, Femi Ojetunde and Carlos Warlick @ Larrabee North

Keyboards: Femi Ojetunde & Mike Mosley
Bass: Femi Ojetunde
Drum Programming: Mike Mosley
Scratches: Chauncey

2Pac – Love Ya Future (1992) (Unleaked)

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2Pac - Troublesome '21 Tracklist
2Pac - Troublesome '21 Tracklist

“Love Ya Future” is an unheard and finished 2Pac song, produced by Shock G and recorded in late Spring – early Summer 1992. It was one of the final tracks scrapped from Troublesome 21, the other one being “When I Get Free” (aka “Soulja II” / “Soulja’s Revenge”). They were replaced with “Representin” and “What Goes On”.

It appears on various close-to-final Troublesome 21 tracklists.

2Pac - Troublesome '21 Tracklist
2Pac – Troublesome ’21 Tracklist

2Pac – Blunt Time feat. Method Man, The Lady of Rage, Roger Troutman (Unreleased)

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“Blunt Time” is most likely a recorded 2Pac song, produced by Dr. Dre and most likely featuring Method Man, The Lady of Rage and Roger Troutman. Chances are high, it has the same beat and the same Roger Troutman’s vocals from RBX’s version of the song from the Aftermath compilation. 2Pac most likely recorded his vocals on November 2, 1995 during the same session when he recorded his vocals for “California Love” (and perhaps “Can’t C Me” and “Got My Mind Made Up” as well”).

Probably engineered by Dre’s regular – Keston E. Wright (would be cool to ask him).

According to J-Flexx, he wrote the original song and it was his song with somebody (can’t make out the name) then Dre wanted it and after that RBX wanted it. J-Flexx never heard the 2Pac version.

“Blunt Time” is of the same nature as the songs above – it must’ve been a song, recorded by Rage, Method Man, and Roger Troutman, perhaps even during the same session where Dre recorded Cali Love, since they’re both on the same reel and contain vocals by Roger Troutman. Perhaps same session as “Got My Mind Made Up”, because of Rage and Meth.

So it could be that when Dre offered “California Love” to Tupac, “Blunt Time” came with it. It appeared on 3 known handwritten tracklists and is seen in the exhibit on the “California Love”/”Blunt Time” master reel and a “California Love” session cassette dated 11-2-95, which looks very similar to the cassette Rage posted in her Instagram.

It was scribbled out and removed on a All Eyez on Me DAT according to documents, as well as scribbled out on a handwritten All Eyez on Me tracklist. It later appeared on a mid-December 95 Outlawz tracklist and never reappeared since. Perhaps, Dre wanted the song back, why else would this song so mysteriously disappear from all media.

Rage posted a pic of the “Blunt Time” session tape in her Instagram around 9 years ago. It is rumored that the song has been floating around since then.

Napoleon & Big Syke – Bitch Nigga (March 12, 1996) (Unfinished & Unreleased)

“Bitch Nigga” is an unfinished unreleased song performed by Big Syke and Napoleon, recorded on March 12, 1996, produced by Darryl Harper.

The song shares a reel with “Money, Bud n Bitches” – the artist is not mentioned on the reel. Who can that be?

Napoleon re-uses parts of his lyrics from “If They Love Their Kids” on the track.

The source for the leak was a DAT that contained this track and the Outlawz version of Lil Homies.

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