Two decades after his death, 2Pac’s legacy in the world of music remains unmatched. On September 12, just a day before the 27th anniversary of his passing, the iconic rapper achieved a historic milestone. His 1998-released compilation album, ‘Greatest Hits,’ secured a place among Billboard’s longest-charting albums of all time, surpassing even The Beatles with their legendary ‘Abbey Road’ by one week.
2Pac’s music continues to resonate with audiences across generations, solidifying his position as an enduring legend in the rap genre. ‘Greatest Hits,’ a compilation of his most iconic tracks, boasts an impressive 491 weeks on the Billboard charts. This remarkable feat cements his place alongside other classic Hip Hop albums like Kendrick Lamar’s ‘Good Kid m.A.A.d City’ (567 weeks) and Eminem’s ‘Curtain Call’ (648 weeks).
With a tracklist of 25 of Pac’s classic songs, “Greatest Hits” was released under Amaru Entertainment, Death Row Records and Interscope on November 24, 1998. The compilation album is available on all streaming platforms as well as on double CD, double cassette and 4LP vinyl.
As expected, the project reached the top of the Billboard charts after its release. The debut week of the album resulted in number 5 in the prestigious music chart (and that was before the streaming platforms). Therefore, the undeniable GOAT status of Pac and the love from the fans all over the world resulted in “Greatest Hits” being certified Diamond by RIAA in 2011 with over 10 million units sold worldwide.
Hip-hop, a genre born in the streets of New York City in the 1970s, has experienced a remarkable evolution over the decades. One of the most intriguing aspects of this evolution is the incorporation of live instrumentation into hip-hop music.
Initially rooted in electronic beats and samples, hip-hop has gradually embraced live instruments, transforming its sound and expanding its creative possibilities. This article we talk about the fascinating journey of live instrumentation in hip-hop, from its humble beginnings to its current prominence.
The Birth of Hip-Hop
Hip-hop emerged as a cultural movement in the South Bronx during the 1970s. Early hip-hop artists primarily relied on DJing and MCing, using turntables and microphones to create beats and deliver rhymes.
The 1980s: The First Signs of Live Instruments
As hip-hop gained popularity in the 1980s, some artists began incorporating live instrumentation into their music. The Sugarhill Gang’s 1979 hit “Rapper’s Delight” featured a live band, marking one of the earliest examples of live instruments in hip-hop.
The emergence of groups like Run-DMC and Beastie Boys in the mid-’80s further cemented the integration of live instruments into hip-hop. These acts combined traditional hip-hop elements with rock-inspired instrumentation, paving the way for new possibilities in the genre.
The 1990s: A Pinnacle of Live Instrumentation
The 1990s saw a surge in live instrumentation within hip-hop. Notable acts like The Roots and OutKast played a pivotal role in this evolution.
The Roots, a Philadelphia-based band, became known for their use of live instruments in their performances, featuring drums, bass, keyboards, and more. Their 1999 album “Things Fall Apart” showcased the fusion of live instrumentation and classic hip-hop lyricism.
OutKast’s 1994 album “Southernplayalisticadillacmuzik” demonstrated a blend of Southern funk and live instrumentation, adding a unique flavor to hip-hop. Songs like “Rosa Parks” and “SpottieOttieDopaliscious” featured live horns and a jazz-infused sound, pushing the boundaries of what hip-hop could be.
The 2000s and Beyond: A Flourishing Trend
The 2000s witnessed a continued integration of live instrumentation in hip-hop. Artists like Kanye West, Common, and Jay-Z incorporated live instruments into their music, creating a more organic and dynamic sound. Kanye West’s “Late Registration” (2005) and Common’s “Be” (2005) both employed live orchestras to craft lush, cinematic arrangements.
Furthermore, hip-hop’s expanding diversity led to the incorporation of various world instruments, such as tabla, sitar, and congas, adding global influences to the genre. Artists like Mos Def and Lupe Fiasco embraced these elements to create culturally rich and musically diverse tracks.
Contemporary Hip-Hop: Live Instruments as a Staple
In recent years, live instrumentation has become a staple in hip-hop. Artists like Kendrick Lamar, Anderson .Paak, and Chance the Rapper have consistently used live bands in their performances and studio recordings. Kendrick Lamar’s 2015 album “To Pimp a Butterfly” stands as a testament to the power of live instrumentation in hip-hop. Collaborating with renowned jazz musicians like Thundercat and Kamasi Washington, Lamar crafted an album that transcended traditional genre boundaries.
The incorporation of live jazz elements, including intricate bass lines, lush horn arrangements, and complex drum patterns, contributed to the creation of a profound and intricate sonic landscape.
Tracks like “King Kunta” and “These Walls” demonstrated the seamless fusion of jazz and hip-hop, inviting listeners on a musical journey that was both emotionally resonant and thought-provoking.
Anderson .Paak, often lauded for his captivating live performances, has consistently championed live instrumentation as a hallmark of his unique sound. With a remarkable talent for both drums and vocals, he effortlessly bridges the gap between hip-hop, R&B, and funk.
His albums “Malibu” (2016) and “Ventura” (2019) serve as prime examples of how live instrumentation can be seamlessly integrated with modern hip-hop sensibilities.
Songs like “Am I Wrong” and “Come Home” showcase his ability to infuse vibrant live instrumentals, such as drums and brass sections, into his tracks, resulting in a sound that feels both nostalgic and refreshingly contemporary.
The evolution of live instrumentation in hip-hop has been a fascinating journey, from its humble beginnings with DJing and sampling to the incorporation of full live bands and orchestras. This evolution has allowed hip-hop to expand its creative boundaries, offering listeners a diverse array of sounds and textures.
Today, live instrumentation is not just a trend; it’s an integral part of hip-hop’s DNA. As the genre continues to evolve, we can expect artists to push the boundaries even further, incorporating a wider range of instruments and styles, making hip-hop a truly dynamic and ever-changing genre.
The fusion of live instruments with the genre’s lyrical storytelling has elevated hip-hop to new heights, ensuring its relevance and influence for generations to come.
The 2Pac murder case, which has remained a haunting mystery for nearly 27 years, has recently taken an unexpected turn. Reports suggest that authorities are preparing to charge former Compton Crip gang leader Duane “Keffe D” Davis, a childhood friend of legendary N.W.A. former member – the late Eazy-E. Keffe D, who once boasted about his involvement in the assassination of the iconic rapper, is now facing imminent charges in connection with this cold case.
As we all know, Pac’s murder is probably one of the most famous unsolved cases of all time that still sparks intense debates. A combination of witness statements, Keffe D’s own admissions, and evidence might be the key for the investigation that will show what really happened the night of September 7, 1996 in Las Vegas when Pac was fatally shot on the corner of Flamingo road and Koval Lane.
Building a Compelling Case
According to The Sun, Las Vegas homicide detectives, backed by the district attorney, have painstakingly assembled a compelling case against Keffe D. Their findings are expected to be presented to a secret jury in the coming month. This pivotal moment in the case will determine if the evidence gathered is substantial enough to warrant prosecution.
The case against Keffe D is not solely built on circumstantial evidence. A significant portion of the evidence includes witness statements regarding 2Pac’s murder and Keffe D’s alleged involvement. However, Keffe D will not be allowed to attend the hearing, leaving the grand jury to assess the evidence without his presence.
Insiders suggest that the district attorney is exploring the possibility of pursuing first-degree murder charges against Keffe D, based on Nevada law. This potential charge underscores the seriousness of the allegations against him.
Keffe D’s own moves have played a significant role in this recent development. In his self-published memoir, “Compton Street Legend,” he confessed to his role in the shooting of 2Pac. According to his story, he rode in the vehicle and allegedly handed the murder weapon to his nephew, Orlando Anderson, who then fired the fatal shots.
Search of Keffe D’s Home
Adding to the intrigue almost 27 years later, investigators recently executed a search warrant at Keffe D’s residence as part of the long-dormant 2Pac murder investigation. During the search, law enforcement confiscated various items, including computers, hard drives, and magazine articles about 2Pac. Additionally, they discovered photographs from the 1990s featuring individuals who may have had direct or indirect connections to the shooting, along with copies of Davis’ 2019 book.
Hopes of Identifying an Accomplice
While investigators have long believed that the primary gunman may already be deceased (Orlando Anderson was killed during an unrelated gang shooting in 1998), they are hopeful that this new development will enable them to identify and charge an accomplice. This marks a significant breakthrough in a case that has remained unsolved for nearly three decades.
The West Coast hip-hop scene has long been a powerhouse in the world of rap music. From its early beginnings in the 1980s to the explosive growth in the 1990s, West Coast rap has had a profound impact on the genre as a whole. In this article, we delve into the top 10 West Coast debut albums that not only influenced the region’s rap culture but also left an indelible mark on the global hip-hop landscape.
In this article, we embark on a journey through the annals of hip hop to uncover the top 10 debut albums that have left an enduring impact on the culture. These albums have not only captured the essence of their respective eras but have also transcended time, remaining essential listens for aficionados and newcomers alike.
N.W.A – “Straight Outta Compton” (1988)
Revolutionary, Controversial, and Timeless: The Quintessential Gangsta Rap Masterpiece
In 1988, N.W.A, the iconic West Coast rap group, released their groundbreaking debut album, “Straight Outta Compton,” which would forever change the landscape of hip-hop and popular music. This album served as a powerful and unfiltered reflection of the harsh realities faced by young African Americans in Compton, California, while simultaneously challenging the status quo and sparking important conversations about social issues.
“Straight Outta Compton” was a defiant and revolutionary response to the oppressive conditions in the streets of Compton. The album’s title track, “Straight Outta Compton,” is an anthem of empowerment and pride, asserting the group’s identity and unapologetically representing their hometown.
One of the most notorious tracks on the album is “F**k Tha Police,” a searing indictment of police brutality and racial profiling. The song’s raw and visceral lyrics drew controversy and censorship but also brought national attention to the systemic issues faced by communities of color.
N.W.A’s delivery throughout the album is marked by ferocity and unbridled energy. Tracks like “Gangsta Gangsta” and “Dopeman” showcase the group’s unapologetic portrayal of street life, capturing the desperation, violence, and survival mentality that pervaded their surroundings.
The album’s production, spearheaded by Dr. Dre and DJ Yella, laid the foundation for the G-Funk sound that would come to define West Coast hip-hop. The use of hard-hitting beats, funky basslines, and sampling techniques set the tone for future generations of rap artists.
Aside from the socio-political themes, “Straight Outta Compton” also features tracks with explicit content and controversial language, which led to both criticism and popularity. Some saw the album as glorifying violence and perpetuating negative stereotypes, while others appreciated it as an authentic portrayal of the group’s experiences and frustrations.
More than three decades since its release, “Straight Outta Compton” remains a vital and enduring piece of hip-hop history. Its impact is felt not only in the music industry but also in shaping cultural discourse and sparking conversations about racial inequality and police brutality.
“Straight Outta Compton” is a seminal album that defined the gangsta rap genre and solidified N.W.A’s status as pioneers in the rap world. The album’s rawness, authenticity, and unapologetic approach to addressing social issues continue to resonate with audiences today. “Straight Outta Compton” is a timeless masterpiece that should be revered and celebrated for its cultural significance and artistic brilliance.
Ice Cube – “AmeriKKKa’s Most Wanted” (1990)
Revolutionary, Provocative, and Fearless: A Landmark in Hip Hop History
In 1990, Ice Cube, one of the founding members of N.W.A, embarked on a solo career that would forever change the landscape of hip-hop. His debut solo album, “AmeriKKKa’s Most Wanted,” stands as a groundbreaking work of art that fearlessly addresses social and political issues, reflecting the harsh realities of life in urban America.
From the very first track, “Better Off Dead,” it becomes evident that “AmeriKKKa’s Most Wanted” is not for the faint of heart. Ice Cube’s aggressive and unapologetic delivery commands attention as he addresses themes of police brutality, racial discrimination, and the challenges faced by black communities. This album serves as a powerful and unfiltered commentary on the state of America at the time, holding a mirror to the systemic injustices plaguing society.
The production, largely handled by Public Enemy’s production team, The Bomb Squad, is nothing short of revolutionary. “AmeriKKKa’s Most Wanted” pioneers the use of chaotic and layered soundscapes, incorporating samples, sirens, and abrasive beats that perfectly complement Cube’s ferocious delivery. The album’s sonic intensity matches the urgency of its message, creating an immersive and intense listening experience.
“Endangered Species (Tales from the Darkside),” a collaboration with Chuck D from Public Enemy, further reinforces the album’s theme of social awareness and resistance. The track’s thought-provoking lyrics and powerful performances from both artists leave a lasting impact on listeners, encouraging them to confront uncomfortable truths about society.
Throughout the album, Ice Cube displays his storytelling prowess with tracks like “Once Upon a Time in the Projects” and “The Nigga Ya Love to Hate.” He skillfully weaves narratives that shed light on the realities of life in poverty-stricken neighborhoods, humanizing the struggles faced by many African Americans during that era.
One of the most controversial tracks on the album is “Black Korea,” which sparked outrage for its portrayal of Korean store owners in predominantly black neighborhoods. Although the song generated heated discussions, it also initiated crucial conversations about race relations and cultural misunderstandings in the United States.
“AmeriKKKa’s Most Wanted” is more than just a collection of songs; it is a call to action. Ice Cube unapologetically challenges the status quo and demands change. He proves that hip hop can be a powerful platform for social and political activism, using his artistry to advocate for justice and equality.
DJ Quik – “Quik Is The Name” (1991)
A Timeless West Coast Classic: DJ Quik’s Debut Album Sets the Bar High
In 1991, DJ Quik burst onto the hip-hop scene with his debut album, “Quik Is The Name,” a project that not only showcased his exceptional skills as a producer but also established him as a formidable rapper in his own right. This classic West Coast album remains a testament to DJ Quik’s innovative sound and lasting influence on the genre.
From the very first track, “Sweet Black Pussy,” DJ Quik’s signature production style takes center stage. The album’s production features a blend of funk, soul, and G-Funk elements, creating a smooth and laid-back vibe that epitomizes the West Coast sound of the early ’90s.
As a rapper, DJ Quik exudes confidence and charisma, effortlessly gliding over his own beats with his distinct flow. Tracks like “Tonite” and “Born and Raised in Compton” showcase his storytelling ability, offering glimpses into his experiences growing up in the streets of Compton, California.
One of the album’s standout tracks, “Jus Lyke Compton,” is a potent statement on the reputation of Compton in the media and its portrayal in popular culture. DJ Quik confronts the stereotypes surrounding his hometown while proudly celebrating its culture and resilience.
“Quik Is The Name” is also known for its memorable interludes, such as “Tha Bombudd” and “Tear It Off,” which add a playful and humorous touch to the album. These interludes give listeners a glimpse into DJ Quik’s personality and creative approach to music.
The album’s commercial success can be attributed not only to DJ Quik’s talents as a rapper and producer but also to its accessible and infectious sound. Tracks like “You’z a Ganxta” and “Loked Out Hood” resonate with fans of both West Coast G-Funk and mainstream hip-hop, making “Quik Is The Name” a crossover hit.
Despite the album’s commercial appeal, DJ Quik’s authenticity as an artist remains intact. He presents a genuine portrayal of himself and his environment, drawing from personal experiences and observations, which adds depth and credibility to his music.
“Quik Is The Name” is a timeless West Coast classic that set the stage for DJ Quik’s successful career as a rapper, producer, and influential figure in hip-hop. With its infectious production, confident lyricism, and genuine authenticity, the album continues to stand the test of time. DJ Quik’s debut remains a must-listen for any hip-hop enthusiast, as it exemplifies the essence of the West Coast sound and cements DJ Quik’s legacy as a trailblazing artist in the genre.
Dr. Dre – “The Chronic” (1992)
“The Chronic” by Dr. Dre was released in 1992. “The Chronic” is considered one of the most influential and iconic albums in hip-hop history, and it played a significant role in shaping the West Coast hip-hop sound. Dr. Dre’s production of “The Chronic” introduced and popularized the G-Funk subgenre, characterized by its smooth, laid-back, and funk-infused beats. The album’s signature sound heavily influenced the West Coast hip-hop scene for years to come.
“The Chronic” featured Snoop Doggy Dogg (now known as Snoop Dogg), Nate Dogg, Daz Dillinger, Kurupt, and RBX, among others. Snoop Doggy Dogg’s appearance marked his debut and helped him gain widespread recognition in the hip-hop community.
Snoop Doggy Dogg – “Doggystyle” (1993)
Iconic, Timeless, and Game-Changing: The Masterpiece of West Coast Hip Hop
In 1993, the world was introduced to a rising star from Long Beach, California, who would soon become a hip-hop legend. Snoop Doggy Dogg’s debut album, “Doggystyle,” hit the scene like a tidal wave, leaving an indelible mark on the history of hip hop. This masterpiece not only catapulted Snoop to stardom but also solidified the West Coast hip-hop movement and showcased his unparalleled talent as a rapper.
“Doggystyle” brings an unmatched fusion of smooth and laid-back G-Funk beats with Snoop’s signature melodic flow, narrating vivid tales of life on the streets. Produced by the legendary Dr. Dre, the album is a celebration of West Coast culture, filled with funk-inspired grooves and soulful samples that are instantly recognizable even decades later.
The album’s lead single, “What’s My Name?,” was an instant hit and set the tone for the rest of the record. Snoop’s distinctive vocal delivery and relaxed demeanor quickly made him a hip-hop icon. Songs like “Gin and Juice,” “Murder Was the Case,” and “Doggy Dogg World” became instant classics, resonating with fans across the globe.
Cypress Hill – “Cypress Hill” (1991)
A Groundbreaking Debut: Cypress Hill Redefines West Coast Hip Hop
In 1991, Cypress Hill burst onto the hip-hop scene with their self-titled debut album, “Cypress Hill,” bringing a fresh and innovative sound that would go on to influence countless artists in the years to come. With their fusion of Latin influences, hardcore rap, and a unique stoner culture, the group set a new standard for West Coast hip hop.
The album’s lead single, “How I Could Just Kill a Man,” became an instant hit and introduced the world to Cypress Hill’s gritty and aggressive style. With B-Real’s iconic nasal flow and Sen Dog’s fierce delivery, the track became a classic and remains a staple in the group’s live performances.
“Hand on the Glock” and “Stoned Is the Way of the Walk” further solidify Cypress Hill’s signature sound, with DJ Muggs’ production incorporating Latin-infused beats and haunting samples that set them apart from their peers.
One of the standout tracks on the album is “Pigs,” which addresses the issue of police brutality and racial profiling. Cypress Hill’s candid and powerful lyrics offer an unfiltered perspective on the realities faced by communities of color, adding a layer of social commentary to the album.
The album’s production, helmed primarily by DJ Muggs, creates a dark and atmospheric soundscape that perfectly complements the group’s raw and unapologetic approach. The use of heavy basslines, eerie samples, and creative scratching techniques makes “Cypress Hill” a quintessential example of early ’90s West Coast hip hop.
Another highlight of the album is “Latin Lingo,” where Cypress Hill showcases their Latin heritage and infuses Spanish lyrics into their rhymes, further differentiating them from other hip-hop acts at the time.
Throughout “Cypress Hill,” the group demonstrates their skillful storytelling, painting vivid pictures of street life and the struggles faced by those living in urban environments. Their ability to delve into personal experiences while addressing broader social issues adds depth and authenticity to their music.
In conclusion, “Cypress Hill” is a groundbreaking and influential debut that solidified Cypress Hill’s place in hip-hop history. With their unique blend of Latin influences, hardcore rap, and stoner culture, the group brought a fresh and distinct sound to the West Coast hip-hop scene. The album’s impact on the genre and its enduring appeal make it a classic that continues to resonate with fans and new generations of hip-hop enthusiasts alike. Cypress Hill’s debut is a must-listen for any lover of raw and authentic hip-hop music.
MC Eiht – “We Come Strapped” (1994)
Gritty Gangsta Rap Classic: MC Eiht’s Magnum Opus and a Testament to West Coast Hip Hop
In 1994, MC Eiht, the esteemed Compton rapper and member of the legendary group Compton’s Most Wanted, released his second studio album, “We Come Strapped.” This seminal work stands as a gritty and unapologetic representation of West Coast gangsta rap, showcasing MC Eiht’s raw lyricism and street storytelling.
“We Come Strapped” opens with the explosive track “Nuthin’ But The Gangsta,” setting the tone for the album’s uncompromising and uncompromisingly gangsta narrative. MC Eiht’s distinctive and commanding delivery, coupled with his authentic portrayal of Compton life, solidifies him as one of the genre’s most respected voices.
The album’s lead single, “All For The Money,” became a massive hit and served as an anthem for the streets, highlighting the struggles faced by those living in impoverished neighborhoods. The song’s catchy chorus and MC Eiht’s captivating flow make it a standout track that resonates with fans to this day.
“Def Wish III” is another notable track on the album, featuring appearances from fellow Compton rappers like Boom Bam and Tha Chill. The collaboration brings a sense of camaraderie and unity within the West Coast hip-hop community, adding a layer of authenticity to the project.
“We Come Strapped” is not merely a showcase of gangsta bravado; it also delves into deeper themes, such as racial inequality, police brutality, and the impact of the crack epidemic on urban communities. Tracks like “Def Wish IV” and “I Remember” offer poignant reflections on the harsh realities of street life.
MC Eiht’s flow and delivery are complemented by the album’s production, which features heavy use of classic G-Funk elements. With production by DJ Slip and MC Eiht himself, the beats on “We Come Strapped” provide the perfect backdrop for his gritty and evocative storytelling.
The album’s cohesion and consistency contribute to its enduring appeal, making it a quintessential example of West Coast gangsta rap during the early ’90s. MC Eiht’s ability to craft vivid narratives and articulate the complexities of street life sets him apart as a true storyteller in the genre.
In conclusion, “We Come Strapped” remains a cornerstone of West Coast hip-hop, showcasing MC Eiht’s lyrical prowess and capturing the essence of Compton’s urban landscape. The album’s impact and influence on subsequent generations of rappers make it a timeless classic and a must-listen for any hip-hop enthusiast. MC Eiht’s candid and uncompromising portrayal of street life solidifies “We Come Strapped” as a true gem in the annals of gangsta rap history.
Tha Dogg Pound – “Dogg Food” (1995)
West Coast G-Funk Excellence: A Classic Collaboration from Tha Dogg Pound
In 1995, Tha Dogg Pound, a rap duo consisting of Daz Dillinger and Kurupt, released their highly anticipated debut album, “Dogg Food.” With production from the legendary Dr. Dre and Daz Dillinger, the album quickly became a defining work of West Coast G-Funk and left an indelible mark on the hip-hop landscape.
“Dogg Food” is a sonic journey that captures the essence of early ’90s West Coast rap. Infused with funky basslines, soulful samples, and infectious melodies, the album is a testament to the distinct musical style that emerged from the streets of Los Angeles. Dr. Dre’s masterful production blends perfectly with Daz Dillinger’s own skills behind the boards, creating a cohesive and sonically pleasing experience from start to finish.
The chemistry between Daz Dillinger and Kurupt is evident throughout the album. Their effortless flows and clever wordplay complement each other, demonstrating a natural synergy that comes from years of collaboration. Tracks like “New York, New York,” “Let’s Play House,” and “Big Pimpin 2” showcase their lyrical prowess and ability to effortlessly ride the beats.
Big L – “Lifestylez ov da Poor & Dangerous” (1995)
An Underrated Gem: Big L’s Fiery Debut That Defines True Lyricism
In 1995, the hip-hop world was introduced to one of the most talented and gifted lyricists of all time – Big L. His debut album, “Lifestylez ov da Poor & Dangerous,” proved to be a groundbreaking release that showcased his exceptional storytelling ability, intricate wordplay, and unparalleled lyricism.
From the very first track, “Put It On,” Big L’s commanding presence on the mic is undeniable. His rapid-fire delivery and witty punchlines leave listeners captivated, setting the tone for the rest of the album. Each track is a lyrical tour de force, demonstrating Big L’s impressive rhyming skills and a masterful command of language.
The production on “Lifestylez ov da Poor & Dangerous” is a perfect complement to Big L’s lyrical prowess. With beats from producers such as Lord Finesse and Buckwild, the album incorporates jazz and soul samples, providing a classic ’90s hip-hop sound that perfectly complements Big L’s gritty street narratives.
The standout track “Ebonics” showcases Big L’s innovative approach to language. Through cleverly dissecting and explaining urban slang, he proves that he is not only a master of his craft but also a wordsmith with a unique ability to paint vivid pictures with his rhymes.
“Street Struck,” a collaboration with A.G. from the Diggin’ in the Crates Crew (D.I.T.C), is a poignant reflection on the harsh realities of street life. It delves into the struggles faced by those growing up in impoverished neighborhoods, offering a glimpse into the lives of the disadvantaged youth.
One of the album’s highlights is “M.V.P.,” where Big L boldly claims his title as the “Most Valuable Poet” in the rap game. With razor-sharp delivery and potent metaphors, he solidifies his place as a lyrical force to be reckoned with, leaving an indelible mark on hip-hop history.
Unfortunately, despite the undeniable brilliance of “Lifestylez ov da Poor & Dangerous,” the album did not receive the commercial success it deserved during Big L’s lifetime. It was only after his tragic and untimely death in 1999 that the album gained the recognition it truly deserved, becoming a cult classic and a must-listen for any hip-hop enthusiast.
Brotha Lynch Hung – “Season of da Siccness” (1995)
In 1995, Brotha Lynch Hung unleashed a chilling and groundbreaking album upon the hip-hop world with “Season of da Siccness.” This cult classic not only solidified Brotha Lynch’s status as a pioneer of horrorcore rap but also left an indelible mark on the genre.
“Season of da Siccness” takes listeners on a dark and macabre journey through the twisted mind of Brotha Lynch Hung. With horror movie-inspired themes, graphic storytelling, and a nightmarish atmosphere, the album presents a unique and haunting perspective rarely seen in hip-hop.
One of the standout tracks, “Locc 2 da Brain,” showcases Brotha Lynch’s raw and menacing delivery as he raps from the perspective of a homicidal maniac. The song’s sinister beat and disturbing lyrics create an intense and unsettling experience that lingers long after the track ends.
The album’s lead single, “Season of da Siccness (Remix),” further solidifies Brotha Lynch Hung’s reputation as a master of horrorcore. His ability to create vivid and gruesome imagery through his rhymes is on full display, captivating fans of the horror genre and hip-hop alike.
“Rest in Piss” is another standout track that delves into the dark realms of the human psyche. Brotha Lynch’s detailed storytelling and bone-chilling delivery paint a picture of violence and vengeance that sends shivers down the spine.
While “Season of da Siccness” is undoubtedly groundbreaking in its approach to horrorcore, it is not for the faint of heart. The album’s graphic and explicit content explores themes of violence, cannibalism, and depravity, pushing the boundaries of what is considered acceptable in mainstream hip-hop.
Despite its controversial nature, “Season of da Siccness” has earned its place in hip-hop history as a defining work in the horrorcore subgenre. Brotha Lynch Hung’s ability to blend horror-inspired narratives with skillful rhyming and dark beats is a testament to his artistic vision and creativity.
Moreover, the album’s production, primarily handled by Brotha Lynch himself, showcases a unique and eerie sound that complements the disturbing themes. The use of haunting melodies and ominous samples creates an immersive and spine-chilling atmosphere that adds to the album’s overall impact.
Syke: ”I made the Evil Mind Gangsta’s album in 92, actually it was a tape at the time, which was sold out the back of my car. I formed the Evil Mind Gangsta’s with Mental Illness (RIP), Domino, my homeboy Surge, my little brother DJ Chainsaw, and Big Kato (RIP), who helps me to fund the project.
We grew up on 115th Street, it was our neighborhood and 117th Street is where the enemies are. The 115th Street or better known as Evil Mind 11-5. That is where the name of the group comes from.”
The Imperial Village Crips (IVC) aka Inglewood Village Crips are one of the oldest crip gangs in the city of Inglewood. IVC are known to congregate in apartment complexes, between 115th Street and Imperial Hwy.
Intro Lyrics – Syke Producers – Charlie Mac & Syke
Livin On The Edge Lyrics – Syke, Domino, Mental Producers – Johnny ‘J’, Syke
Get It Strait Lyrics – Syke Producers – Johnny ‘J’, Syke
Got To Get Paid Lyrics – Syke Producer – Johnny ‘J’
I’m That Nigga Lyrics – Domino Producers – Charlie Mac & Syke
Not My Girl Lyrics – Syke Producer – Charlie Mac & Syke
Riden A Double Murda Beef Lyrics – Syke & Mental Producer – Johnny ‘J’
I Wish U Would – Lyrics – Syke Producers – Johnny ‘J’, Syke
N Misery Lyrics – Mental Producers – Johnny ‘J’, Sexx
What Else Can A Nigga Do Lyrics – Syke Producer – Johnny ‘J’
Evil Mind Lyrics – Syke, Domino, Mental Producer – Charlie Mac
U Tripin Bitch Lyrics – Syke, Mental & Domino Producers – Johnny ‘J’, Sexx
All Hell Breakin Loose Lyrics – Syke, Mental & Domino Producers – Johnny ‘J’, Syke
Executive Producer: T. Himes Produced by Syke for Syco Music Produced by Johnny ‘J’ for Shade Tree Productions Produced by Charlie Mac for Unmistakeable Productions
All songs recorded and mixed at Echo Sound by Bob Moris All songs mastered by Brian (Big Bass) Gardner at Bernie Grundman Mastering, Hollywood California
Syke: ”Would like to thank God first, without him nothing would be possible, Moms an Pops for putting up with me when i was caught in the madness. My Sisters an Brothers for always pointing me in the right direction, much love goes out to my main Motha Fucin Nigga’s: Bucc, Chop, Manook, Snac, Lemac, Kaytoe’s, Serg-Mac, Sad Dog, HB, Tone, Herm, and Ran Ran for tellin a Nigga to stay motovated, an thanks to all my people thats been down with me from the start an to the Motha Fuca’s that thought it wasn’t comín! Boom Boom On Yo Black Ass Bitch FUCK ALL YAH”
Special thanks goes out to my Funky Gangsta’s Trac Making Nigga’s, Johnny ‘J’, Charlie, Mac, thanks for being there.
Special thanks to Gayle Elliot, Melton Printing, Sexx, 213 310, Peddro, Fila Al, an my homies from the vill.
This album is dedicated to the memory of Neicy T, Big Chip, Tinker, Dollar, Mister, Sheek, Ghost, Sike.
Organize Records (310)671-6675 P.O. Box 1591 Gardena California, 90249
Purchase the Evil Mind Gangsta’s CD for your collection for only $ 30.00 total ($ 22.00 + $ 8.00 worldwide shipping). Payment: paypal.me/2paclegacynet (note: shipping address add it as a comment)
Introducing DeathRowRecords.com's new video compilation of rare and unreleased videos from the legendary Death Row label. This DVD compilation contains 21 seldom-seen videos from Death Row artists, with most including promotional intro screens that display artist or director information. None of these videos contain inserted network tags or logos, and all have been recorded directly from very rare promotional video tapes issued only to select networks. There are no edits or alterations whatsoever.
Some highlights include:
* Natural Born Killaz (Workprint): this is an amazing video to watch for a number of reasons. On the network broadcasts of this video and even the Murder Was The Case DVD the killers in the video are concealed with blurred screens. This version does not have these blurrs, and the faces of the Mendenez brothers are seen, for example. What is particularly interesting is that the video portrays Dr. Dre and Ice Cube killing OJ Simpson's now deceased wife, Nicole Brown Simpson, as well as the man she was with (Ron Goldman). Additionally, this video is not yet finished being edited, and so the viewer can see how the "tripping" effect was created through the use of overlaid video (with Dre and Cube wearing white suits so only their faces and hands will later appear). This version has never been released or leaked and is very rare.
* An alternate (stairs version) introduction to the Made Figgaz video. This version is essentially the same as common versions, except the camera follows Kastro up some stairs and meeting with 2Pac. It was not used for broadcast on American television and is not available on the Gang Related DVD.
* Seldom-seen videos that never made it into rotation in the general market. See the videos for classic Death Row songs that were not from major album releases, but were great nonetheless. The rare OFTB video titled Body & Soul, Al B. Sure!'s only Death Row video, Snoop dressed up as a black Santa, the Death Row mix of SWV's Anything (featuring a video cameo by 2Pac), and much much more!
As a special bonus, this DVD also contains the unreleased MC Hammer Death Row album! That's right - the full album (minus Too Late Playa which is available on Remembering Makaveli volume 1)! Hammer spent a short time on Death Row but banged out this album very quickly with the classic 1996 Death Row sound and energy. The album contains all new songs, and many feature Death Row and Bay area artists. Guest spots include Too Short, Spice 1, Da 5 Footaz with serveral tracks featuring Danny Boy. Along with an amazing long posse song titled Can U Feel It Part 1, and features a host of guest verses including Nutt-so, Storm, Mac Mall, Kurupt, the Luniz (both Yukmouth and Clee), Spice-1, and many more! This DVD is the only place to find this album, and even for fans of Death Row music who didn't enjoy previous Hammer albums, this particular one will still be a hit.
This DVD was sold in 2007 on Dante and G. Litt’s site hiphoponline (.) net (former 2pac shakur . net), price $34.99
This video discography spanning three DVD discs features tag free, full videos with intro screens denoting the director and other relevant credit information. Each video (minus one) is from a digital source (NOT from a VHS tape), so they will be the best quality video quality possible.
Exclusive to this set is Made Niggaz 360 Camera Version IN DVD QUALITY! This video is an amazing one-take of 2Pac and the Outlawz rapping to a spinning camera in the center of a room, and the scene does not break away into any other angles or scenes. Now is your chance to own every 2Pac video made, all in order of release, and all in digital quality with an exclusive bonus at the end!
This DVD was sold in 2007 on Dante and G. Litt's site hiphoponline (.) net (former 2pac shakur . net), price $79.99
Sadly despite the fact that they sold millions, hit the top of the charts and became a familiar name even to non-rap fans everywhere, D.U. is little mentioned today. Even the legions of 2Pac fans have largely forgotten that his first major break in the business was rapping on D.U.'s "Same Song" and that he shared the billing with Money B and Shock G on his landmark hit "I Get Around." Thankfully the Underground sound is still around, and with their new "Raw Uncut Docu-Musical" there's a little something for everyone - the new jacks who weren't a part of their funk renaissance, and the golden era fans who fondly remember "The Way We Swing" and "Doowhutchyalike."
The DVD's main feature starts squarely in 1989, reminding us that a large plastic nose (Shock G's alter ego Humpty Hump) made it all possible. The narrator also correctly notes that it was their fusion of George Clinton's P-Funk sound and style with new age hip-hop attitude that made their music fresh and fun yet helped them also maintain a slight attitude and edge without being forceful or preachy. A KRS-One track rapping about D.U. friends and family opens the video, and then all the crew introduce themselves. Interesting fact I learned from this segment - DJ Fuze actually used to be known as "Davey D" but gave it up because there was one in New York AND one out in the West (that of course being the famous DaveyD of radio and WWW acclaim). Initially he wanted to be DJ Goldfingers, but it didn't sticks, so Fuze he became.
The documentary doesn't spare on the little and historically important details, a fact hardcore D.U. fans will definitely appreciate. The narrator even mentions that their debut single "Underwater Rimes" backed with "Your Life's a Cartoon" was pressed on TNT and sold about 30,000 copies - mostly in California. The version of "Underwater Rhymes" most fans are familiar with from "Sex Packets" is actually a remix of that debut track. This success led to Tommy Boy offering a record deal to Digital Underground. The crew talk about how well they were received in Europe around this time, and how "Doowhutchyalike" was a big international hit, landing them with a different promoter in every country they visited on tour. It's also cool to hear them note how at every venue, they'd find BDP, P.E. and EPMD tags and posters, and how grateful they were to be on that same circuit just following in their footsteps. "Humpty" of course liked Amsterdam best. Parental advisory here, there is some graphic nudity and language, but that's all in keeping with their "have fun swing."
The strength of "Doowhutchyalike" landed them a gig touring WITH P.E. in the United States, which they chose on purpose over touring with Hammer, even though it would be less money. No love for their fellow Oakland rapper? Perhaps, but they knew touring with P.E. was not only an honor but a way to connect with rabidly hardcore hip-hop fans. It must have worked. Among the first ten rap albums I ever bought (as opposed to being given as gifts or getting as dubs from friends) were Digital Underground's "Sex Packets" and P.E.'s "Fear of a Black Planet." Ahh, those were the days. Shock G also reveals that the plastic nose was part of a hidden revolutionary message in "Doowhutchyalike," where people could live in a world without government, and that the nose symbolized you could be ugly or beautiful and it didn't matter as long as you did onto others as you'd want them to do unto you.
The D.U. evolution continues, discussing how they released "Same Song" as part of the soundtrack for the movie "Nothing But Trouble" starring (and directed by) Dan Aykroyd, and how D.U. got involved with the "We're All in the Same Gang" project. At this point more focus is given to 2Pac's membership in the group, how he got put on "Same Song" and how D.U. was only insured for 8 people when they went on tour, so somebody had to stay behind just so 'Pac had a spot to go on the road - that's how much faith they had in him as a rising star. It brings a smile to the heart of D.U., Tupac and hip-hop fans alike to see Shakur clowning around backstage at a show with super soakers. It's also revealed that even at the young age of 18, Shakur had an incredibly nihilistic attitude, proclaiming that if he sold a million records and died by the age of 25 he'd live a full life. Money B has a good laugh about how Shakur wrote his verse for "I Get Around" just in case they didn't make it to the studio in time to pen their own, and how it was so violent and hardcore ("shoot you with my four-four") that B knew there was no way in hell he was performing it. B talks about how much fun they had filing the video, and that if even half of that came through on screen, it would be a huge hit. Of course it's ultimately a tragic story, nothing that "Me Against the World" was the last album that D.U. would produce tracks for Shakur on, and how he was gunned down after signing to Death Row. They still pay tribute to him in concert though, a fact I can personally attest to having seen them perform live in Omaha.
In the annals of hip-hop history, Tupac Shakur remains an iconic figure, a symbol of raw talent, and a voice that still resonates with millions worldwide. As we delve into the archives of his illustrious career, we stumble upon a hidden gem: ”Rap Pack.” Recorded in 1991, this unheard Tupac song was left off his debut album, ”2Pacalypse Now,” leaving fans yearning for more of the lyrical brilliance that defined this rap legend.
On account of TNT Recordings, owned by Atron Gregory, uploaded a 10-second clip of an unreleased song ”Rap Pack” recorded in 1991 and left off the first 2Pacalypse Now album.
Two of the 2Pacalypse now album’s many tracklist drafts, show ”Rap Pack” as numbers 10 and 12. Subsequently, the song did not make it onto the album, and to this day we had heard it.
Atron Gregory is a highly successful entertainment business entrepreneur with a track record of producing and managing multi-platinum albums and films. He has executive producing and management credit on several successful albums by Tupac Shakur, Digital Underground, and Stanley Clarke.
Tupac Shakur had a variety of hobbies and interests outside of his music and acting career. While his primary focus was on his artistic pursuits, he also engaged in other activities that brought him enjoyment and allowed him to explore different aspects of his personality. We will try to present some rare facts.
Tupac Shakur, known for his powerful lyrics and poetic style, had a profound connection to poetry. His lyrical abilities were not limited to his music but extended to his personal writings. Tupac’s poetry often explored themes of social justice, inner struggles, love, and the complexities of life. He used his words to convey raw emotions and shed light on the realities of his environment.
Ryan D: ”He was real, real, whatever he was passionate, passionate about anything, whatever he was involved in he was passionate about it. He was obviously an artist. He was, back when we were younger, he was the only dude that I knew that would write poems and stuff like that. I just think it was weird. Cause you know I had a rap book, I write raps and he write raps and I’d look at his rap book sometimes, I’d read his raps. He’d have a page of raps a page of poems, a page of raps a poems. I always thought that was weird but you know he was different.”
Tupac Shakur had a diverse taste in music and was influenced by various genres and artists. He was primarily known for his contributions to hip-hop and rap music, but his musical interests spanned beyond those genres.
Favorite songs: ‘Vincent (Starry, Starry Night)’ by Don McLean; ‘’A Change Is Going To Come” by Sam Cooke
Favorite artists / bands: Guns N Roses, George Micheal, Isley Brothers, Sam Cooke, Gladys Knight, etc..
Suge Knight: ”He definitely liked Scarface.”
Suge Knight: ”We always love “A Change Is Going To Come” by Sam Cooke. The first time he heard that song in my car, it became his song. Anyone who really knew ‘Pac knew that was his favorite fucking song.”
Fun fact: The song was inspired by various events in Cooke’s life, most prominently when he and his entourage were turned away from a whites-only motel in Louisiana. Cooke felt compelled to write a song that spoke to his struggle and of those around him, and that pertained to the Civil Rights Movement and African Americans.
Tupac had artistic talent and enjoyed drawing. He often sketched portraits, graffiti, and other artistic expressions. Some of his drawings have been featured in documentaries and exhibitions dedicated to his life and legacy.
Reading books and newspapers
Yes, Tupac Shakur had a love for reading books. This is the list of some of the books he has read. His favorite book was ”The Prince” by Niccolo Machiavelli.
Big Syke: “He was brung up where if he got in trouble, his mama would make him read the newspaper every day, all the way through.* Now when I was hanging around with him, he used to be reading that newspaper every morning.* I didn’t know that his upbringing was what made him do that, you feel me what I’m saying?* He was brung up with this Panther philosophy around him, but yet and still he grew up in the ghetto with the gangstas and the thugs and the hustlers and the pimps, so that’s who he was.”
Boxing (watch only)
Tupac was personal friends with Mike Tyson and steadfastly supported his professional boxing career.
Tupac visits Las Vegas to catch world-class fighting action.
● Riddick Bowe vs Evander Holyfield (November 04, 1995) ● Mike Tyson vs Frank Bruno (March 15, 1996) ● Mike Tyson vs Bruce Seldon (September 07, 1996)
But boxing wasn’t his only Las Vegas pastime. Tupac also enjoyed spending time in the iconic casinos. The city is home to some of the finest table games and slot machines in the country, so there’s no surprise millions flock there to enjoy a night of gambling. However, if you can’t travel, you can join in the fun from home with mobile and online casinos. You can even unlock juicy 30 free spins no deposit offers, giving you the Vegas feel without travelling.
Tupac got his start as a roadie and background dancer for the Shock G-fronted Hip Hop group in the 1980s. Pac, who initially rapped under the moniker MC New York, appeared on the 1991 Digital Underground song “Same Song.”
In his music videos, Tupac often showcased his natural charisma and rhythmic movements, incorporating elements of dance into his performances. His energetic and captivating stage presence allowed him to engage with the audience and enhance the overall experience of his live shows.
Chilling With a Joint
It’s no secret that Tupac enjoyed smoking weed.
Tupac and Snoop Dogg’s relationship was all thanks to weed. Tupac even gave Snoop his first-ever blunt, and the rest is history. After all, Tupac famously said, “Stop killing each other, man. Let’s just smoke a blunt.”
The only authorized documentary exposing the myths and confirming the legends that surround Suge Knight and Death Row Records. An exclusive look at one of the most controversial figures in the entertainment business, Marion Suge Knight , started a record empire based on some of rap and hip hops biggest stars, Tupac Shakur, Snoop Dogg and Dr. Dre, with interviews and music videos and some behind the scenes stories of the music.
Tupac rose from the ashes of adversity to become an icon revered for his unparalleled talent, unfiltered lyricism, and energy that radiated from every pore of his being. While the world mourned his untimely departure, Tupac’s legacy continues to reverberate through time, reminding us of the prodigious artist who possessed an insatiable work ethic and an unyielding drive for perfection.
The recording booth became his sanctuary, a place where he poured his heart and soul into each verse, leaving an indelible mark on the music industry that endures to this day. Driven by a workaholic mentality, Tupac’s tireless pursuit of excellence translated into an extraordinary body of work. His energy was infectious, electrifying the atmosphere and inspiring those around him.
We will debunk two internet facts in the following lines. The number of songs and how many songs he recorded from his release from prison on October 12, 1995, to the fateful evening of September 7, 1996 (329 days). We also keep in mind that during this period, Tupac did the following:
The claim of 713 songs recorded is not true. Our list shows 501 songs. As it can vary at least 10% upwards considering the residual unknown material, but it can never be 40% (that’s the difference)
2PacLegacy.net made a list of songs in order to count how many songs Tupac recorded. The songs are divided into three categories: songs from official albums (without remixes), songs from guest performances, and confirmed songs from reliable sources.
Internet myth 2
Recorded close to 150 songs during the final year of his life, and often completed three songs per day in the same period. / imdb
Tupac recorded a minimum of 213 songs in the period from October 12, 1995, to the fateful evening of September 7, 1996 (329 days). Below is the full list.
What categories of songs are listed: Songs from official albums, unreleased songs, guest performances, and confirmed unleaked songs. A song can be entered once only if it has not been re-recorded with new lyrics and/or instrumentals.
Sources of unleaked songs: – Death Row Records Catalog – US Copyright Website – Pictures of master reel – Performers, producers – Bomb1st.com
Official albums and unreleased (321 songs)
2 of Amerikaz Most Wanted – 2Pac, Snoop Dogg 
5 Deadly Venomz” (with Treach of Naughty by Nature, Apache and Live Squad) (1992)
6 or 12 – 2Pac; Hussein Fatal, Mussolini, Mr. Malik, Yaki Kadafi (1996)