Hip Hop has come a long way since its main inception around the 1970s. Mainly credited to starting in New York City by a diverse group of cultures, Hip Hop was known for its rhythmic beats made by DJs and its creative lyrics characterized as rapping. 

But since the 1970s, Hip Hop has evolved into many subcultures taking creative turns every which way. Old-school hip hop is a far cry from new-school hip hop, which is still different from rapping, trap, and gangsta rap. 

Why is it important to differentiate hip-hop subcultures? Because music, particularly hip hop, has a deep history with those who create the music. Let’s take a deeper look at these subgenres and their impact on today’s hip-hop industry. 

The Old School Era

Afrika Bambaataa, a community leader from South Bronx, was the first to coin the term Hip Hop. From the 1970s to 1985, Hip Hop was in its old-school era, where DJs would use turntables to manipulate music and break the loop. This was simultaneously paired with MCs rapping on the spot. 

But known as the original founding fathers of Hip Hop is one other than DJ Kool Hrev and Coke La Rock, who banded together in 1973. Six years later, in 1979, “Rappers Delight ” would be recognized as one of the most famous rap songs in the world, even to this day. 

The importance of this era was instrumental in giving a voice to the socio economic issues African Americans and other minorities were facing on a daily basis. 

The Golden Era

The Golden Era or Gangsta Rap Era would also emerge in the 1980s, with many lyrical references being about gang life and crime on the streets. It also was a time when technology had expanded, making music available across the country, pointing out vast differences in cultural styles. 

Interestingly enough, there were no copyright laws at the time, so music sampling played a huge part in continuing to play with different styles, subgenres, and sounds. This is vastly different from today’s world, where you need to have copyrighted music on Instagram. 

With so much diversity and access across the country, Hip Hop was taking all sorts of creative directions and ultimately bleeding into the new school era and the divide between the West and East coast. 

The New School Era

Once the 1990s came around, it was considered to be more of the new school era for Hip Hop. The difference was in the lyrics. They were harder-hitting, more complex, and at times hard to understand. For instance, within this subgenre of Hip Hop, there was mumble rap, rap metal, and rapcore. 

The 1990s also saw one of the biggest rifts in music history carried out from the late 1980s as East Coast versus West Coast rap became a dominant hot topic. 

Most notably between Tupac Shakur and The Notorious B.I.G., East Coast rap was more known to carry an aggressive style, while West Coast tends to be more laid back. Sadly, the rift grew so big that it led to the murders of both artists. 

The Second Half of The New School Era

This era eventually paved the way for new artists who were more notably a part of the New School Hip Hop Era. To name a few are Run DMC, L.L. Cool J, Beastie Boys, Public Enemy, and many more. 

At this time, Hip Hop was becoming a movement loved by all cultures and was associated with particular fashions and even lingo. Funny enough, “Fo Shizzle” and “bling” were added to the Oxford Dictionary. 

Let’s also not forget one notable thing from this era. R&B was closely related as notes of Jazz were incorporated with powerful female vocalists included on popular tracks. Jennifer Lopez and Aaliyah are two women that come to mind. 

Don’t Forget the Trap Era

The Trap Era was also a part of the New School Hip Hop era but had a particular distinction from other genres. 

Trap music came from very poor neighborhoods in Atlanta. Trap houses were houses used for the drug trade and, at the same time, were associated with this type of rap subgenre. 

Again, along with gangsta rap in the 1990s, this type of music highlighted the poverty culture many Americans wouldn’t understand. 

How It’s Transformed Hip-Hop Culture Today?

Aside from the notable Eminem and a few others, Hip Hop is a genre of music and dance that has long been associated with Black culture and the culture of minorities. 

Hip Hop gave a voice to a large portion of America that was unheard and unseen. While poverty among these cultures still exists today, the music we have all come to know and love has exposed these issues and given some economic power back to these communities. 

We often see rappers such as Kanye West have close ties to their original communities to give back and help with socioeconomic issues. 

Big Sean also gives back through his foundation to support his communities in Detroit. Countless other rappers do the same. However, to enjoy this genre, we must seek to understand the roots of its origination.  

Hip Hop Today

Hip Hop today has some similarities from its past but is ultimately completely different from its origination. Where it is the most similar is that there is no one style of Hip Hop. 

Instead, it is as diverse as it was in its Golden Era when tracks were being sampled. This is all thanks to technology. Gangsta rap, Trap rap, and other styles still exist today. But many more types of Hip Hop have revolutionized since its inception in the 1970s. 

Considering Hip Hop to be a melting pot is a beautiful thing which is why music from Tupac and The Notorious B.I.G. is still as popular today as Snoop Dog and Jay Z are. And there is room for new rappers like Kodak Black, Dababy, and 21 Savage.

Introduction

Music is a powerful force for change and expression, with artists using their work to speak about everything from politics to relationships. But did you know that music has also been used as a tool of oppression? From the early 20th century up until today, racism has prevented many black artists from getting their songs heard by mainstream audiences or even getting played on radio stations, which can make it harder for them to reach fame and fortune. Let’s look at some examples of how different genres have experienced these issues over time.

The early 20th century featured a growing number of black artists, but black and white artists were treated differently.

The early 20th century was a time of change as racial segregation became more common in America. It was also the beginning of what we know today as the “music industry”, with the advent of radio stations and record labels. This combination created an environment in which black artists were treated differently from white musicians – for example, they could not perform on stage with their peers or have their own record labels and therefore struggled to succeed in these industries until recent decades. this is now being written about in many newspapers, magazines, essays on racial profiling and even films are being made!

The Great Migration of Nations is another important event that took place during this period of time. It was a mass migration of African Americans from the South to northern cities, where they hoped to find better opportunities for education and work. This migration led to increased tensions between white Americans and blacks, which ultimately fueled the rise of racism in America.

As you can see, the beginning of the 20th century was a time of change and conflict. This was also the period when African Americans began to make their presence felt in America and that is why it is so important to know about it.

Segregation laws prevented black and white musicians from performing together.

In the early 20th century, segregation laws in the United States prevented black and white musicians from performing together. This prevented many jazz musicians from reaching their full potential as performers because they couldn’t play with their idols or collaborate with other talented artists who were of different races.

Jazz music is an art form that has been around for many years, but it took a long time to become what it is today. The first people who played jazz were African Americans, who created the musical style in the early 20th century. At this time, segregation laws prevented black and white musicians from performing together.

This prevented many jazz musicians from reaching their full potential as performers because they couldn’t play with their idols or collaborate with other talented artists who were of different races.

A social change helped to reverse that segregation.

The civil rights movement, women’s movement, and anti-war protests all helped to bring about a change in attitudes about race and gender. The counterculture movements of the 1960s and 70s also contributed by challenging traditional values and norms related to sexuality. In addition, there was an increase in immigration from non-European countries during this time period which added to this social change as well; immigrants brought with them their own music traditions which were often different from those that had been previously popularized by white artists like Elvis Presley or Johnny Cash.

In addition, some have argued that the economic boom of the 1960s and 70s contributed to a new openness in American society. During these decades, many Americans experienced a short-term increase in their standard of living due to the post-war economic boom.

These economic gains led to a rise in consumerism and an increase in leisure time for many Americans. These factors may have contributed to the growing popularity of rock music, which was often associated with these trends.

The counterculture movement of the 1960s also contributed to the popularity of rock music in America. The counterculture movement was a reaction against traditional values and norms related to sexuality and race. This movement promoted new ideas about what it meant to be an American; one example was the “hippie” lifestyle which emphasized social equality, peace, and love rather than materialism and consumerism.

The popularity of rock music in America also reflected larger changes in American society during this period. The 1960s were a time when many Americans were questioning their beliefs about politics, race relations, gender roles, sexuality, and other aspects of life. These questions led to social movements like the Civil Rights Movement and the women’s rights movement.

It also led to the development of new musical genres like pop rock, folk rock, and psychedelic rock. Some examples include the Beach Boys, The Beatles and Bob Dylan.

The Beach Boys were a popular rock band from California. They released their first album in 1961 and continued to release albums until 1970. In the 1960s, they were one of the most successful groups in America behind The Beatles. Their music was very distinct because it combined different genres such as surf rock, pop rock and R&B into one cohesive sound which is known as “California Sound” today.

The Beatles were also a popular band during this time. They released their first album in 1963, and continued to release albums until 1970. They are considered one of the most successful groups of all time because they sold over 800 million records worldwide.

At the same time, some radio stations were hesitant to play music by black artists.

The problem was that they couldn’t tell the difference between white and black music. This caused them to worry that if they played a song by a black artist, then their audience would think it was awful – even though it might actually be good!

Similarly, some radio stations were hesitant to play music by women artists because they worried about being associated with feminism or being seen as “too liberal.” Some even refused to play songs written or performed by men because those artists might be gay (or alternatively: “flamboyantly heterosexual”). And finally, there were also some who simply didn’t like any kind of music at all!

The result was that many artists found themselves unable to get their songs on the air. They had no way of getting their music heard by the public and, thus, no way of making money.

The solution was simple: if radio stations couldn’t tell the difference between good and bad music, then they should play more of it. If they were worried about being associated with feminism or being seen as “too liberal,” then they should just play music by men (and women) artists who weren’t feminists or liberals. And finally, there were also some who simply didn’t like any kind of music at all! The result was that many artists found themselves unable to get their songs on the air. They had no way of getting their music heard by the public and, thus, no way of making money.

Some labels actively suppressed black artists’ work.

It’s important to note that some labels were racist, and thus refused to sign black artists. The most famous example of this is Motown Records, which was founded by Berry Gordy Jr. in Detroit in 1959 with the express purpose of recording and promoting African-American artists. However, it wasn’t until 1964 that Motown really took off as an industry force–and even then it wasn’t until 1968 that they had their first crossover hit with Diana Ross’ “Love Child.”

But even after this breakthrough success (which came about because Motown finally decided to play ball with white radio stations), there were still plenty of other labels who wouldn’t touch anything remotely resembling soul or funk music with a ten-foot pole–or even a four-inch one!

And that’s the difference between Motown and Stax. Motown was founded on the principle of recording black music and promoting black artists, while Stax Records was founded by two white men as a way to make money off of black people’s culture (and they did so very well).

When Stax Records first started out, it was primarily a gospel label that focused on promoting the music of Sam Cooke and other black gospel singers. Then in 1959, Jim Stewart and Estelle Axton bought the company and started recording secular music as well (although they still kept their focus on black artists).

The first hit single to come out of Stax Records was “Last Night” by Mar-Keys in 1961. It didn’t make much of an impact on the charts (it only reached #86 on Billboard’s Hot 100), but it did put the label on the map. And after that, Stax continued to release a series of hits from artists like Otis Redding and Booker T & The MG’s.

But Motown Records was founded just three years before Stax Records, in 1959. And when it first started out, it was primarily a gospel label that focused on promoting the music of Sam Cooke and other black gospel singers. Then in 1961 (just two years after Jim Stewart and Estelle Axton bought Stax Records), Berry Gordy Jr. came along with his vision for a new kind of record company–one that would focus on recording black music and promoting black artists.

He was inspired by his uncle, who owned a record company called Vee-Jay Records. The company had some hits during the 1950s and 1960s, but it eventually went bankrupt in 1966.

Racism still affects who gets to be at the top in the music industry

Still, there are some who believe that racism is no longer an issue in the music industry. In fact, several recent studies have found that black artists are more likely to be stereotyped as violent or sexual than their white counterparts. And while this may not seem like much of a problem on its face–after all, what’s wrong with being sexual? It’s important to remember how these stereotypes can affect who gets to be at the top of your industry and how they’re perceived by outsiders.

As we’ve seen throughout history, when people have fewer opportunities for success within a given field (or if they’re perceived as less talented), then it becomes easier for those with power over those fields to maintain their positions and control over what happens within them through various means like hiring practices and promotion decisions.

This happens in the music industry when black artists are stereotyped as violent or sexual and then given fewer opportunities for success and exposure. This is also why it’s important to have more people of color in positions of power within a given field to ensure that these biases don’t affect who gets to be at the top of your industry and how they’re perceived by outsiders.

Conclusion

Music is a powerful medium for expression, but it can also be used as a way to express prejudice and hate. Even though music may not seem like an obvious place for racism or bias, it turns out that there’s actually quite a bit of history behind racist lyrics in popular songs.